
In Leica’s photographic aesthetic, M-series lenses represent a timeless purity and tradition. When these compact, exquisite M lenses are mounted onto the Leica SL2-S via the M-L adapter, a fascinating fusion of portability and performance takes place. In this hybrid setup, the role of the battery becomes particularly nuanced—it affects not only battery life but also the overall experience of this “retro” shooting style.
What makes this combination so compelling? The SL2-S delivers modern autofocus performance, powerful in-body image stabilization, and professional-grade video capabilities, while M lenses offer unmatched compactness and a distinctive rendering character. When paired together, this rig is often used for street photography, documentary work, or travel. In these scenarios, photographers typically remain on standby for extended periods, ready to raise the camera and capture a fleeting moment. Here, the endurance of the BP-SCL 6 battery directly determines whether you can maintain sharp observational readiness throughout an entire day on the streets.
When using M lenses, the camera relies entirely on manual focus, eliminating the power consumption typically required by autofocus motors. This means that compared to using autofocus SL lenses, the SL2-S equipped with M lenses shows a noticeable improvement in battery life during still photography. Real-world tests indicate that in manual focus mode, a single battery can easily exceed 500 shots without issue. This low-power characteristic makes the combination of SL2-S and M lenses an ideal choice for long-duration outdoor shoots.
However, this setup also presents unique challenges for battery management. The essence of street photography is speed; unlike working in a studio, you can’t constantly power the camera on and off to save energy. The right approach is to leverage the SL2-S’s fast startup capability. When the camera is in standby, a half-press of the shutter button or a tap on the LCD screen wakes it up instantly. This feature avoids the power waste associated with frequent power cycling. Additionally, because M lenses lack electronic contacts, the camera’s in-body stabilization requires manual input of the focal length. It’s worth noting that while enabling stabilization significantly improves handheld sharpness, leaving it on continuously in low-light conditions does consume extra power. It’s best to activate it only when the situation demands it.
To delve deeper into the strategy behind the SL2-S kit and why the battery is considered a core component, please check out another blog post in this product series:
With the battery supply issues expected to be resolved by spring 2026, enthusiasts who love the “M lens on SL body” combination will no longer have to worry about battery availability. The SL2-S provides the perfect platform—it preserves the pure, tactile joy of M lenses while blending that classic experience with the reliability of modern body performance and the robust BP-SCL 6 battery. In this pairing, power is no longer a constraint. Instead, it becomes the bridge that lets you move freely between timeless craftsmanship and contemporary creativity.


In a world crowded with zoom lenses and computational photography, the act of choosing a single, fixed focal length is a profound statement of intent. It is a commitment to seeing the world in a particular way. The Ricoh GR IIIx, a camera revered for its discreet form and formidable image quality, makes one of the most compelling statements of all: it sees the world through a 40mm lens. This isn't a random choice or a compromise; it is a deeply considered optical perspective that sits perfectly between the expansive storytelling of a 35mm and the intimate isolation of a 50mm. For the discerning photographer, especially in the UK's diverse landscapes of bustling city streets, cosy interiors, and nuanced natural light, the 40mm view of the Ricoh GR IIIx becomes more than a tool—it becomes an extension of a thoughtful visual philosophy.

To grasp the magic of the Ricoh GR IIIx, one must first understand the language of focal lengths. A 28mm lens, like that on its sibling the GR III, is wide. It captures vast scenes, pulls in context, and demands that the photographer get close, resulting in dynamic, immersive images. A 50mm lens, the classic "nifty fifty," is tighter. It naturally isolates subjects, flatters portraits, and sees the world in a way often said to mimic human vision in terms of perspective, though not field of view. The 40mm of the Ricoh GR IIIx occupies the exquisite middle ground. It is the "just right" focal length. It offers a frame that is slightly more composed and focused than 35mm, yet less restrictive and more connected to the environment than 50mm. This unique positioning is why it is so cherished: it provides enough context to tell a story, but with a natural emphasis on the subject, reducing unwanted peripheral clutter without feeling detached. It encourages considered framing over snap decisions, making everyday scenes feel intentional and quietly significant.
The 40mm focal length fosters a distinct photographic philosophy—one of intimate observation rather than intrusive documentation. With a 28mm, you are often in the scene; with a 100mm, you are decidedly outside of it. The 40mm perspective of the Ricoh GR IIIx places you at a respectful yet engaged distance. It's the difference between a conversation and a shout. This "conversational distance" is key to its appeal. It allows you to capture subjects within their environment without distorting their features or overwhelming the frame with background. There's a natural balance and proportion to the images, a subtle compression that draws elements together harmoniously. This perspective teaches discipline and refinement, urging the photographer to move their feet to compose, to find order in chaos, and to see the elegant geometry in urban landscapes or the quiet narrative in a domestic setting.
For environmental portraiture, the Ricoh GR IIIx shines. The 40mm lens is ideal for capturing a person within their context—be it a craftsman in their workshop, a friend in a familiar pub corner, or a subject against urban architecture. The trick is to position your subject not centrally, but thoughtfully within the frame, allowing the environment to contribute to the story. Use the sharp, fast F2.8 aperture to keep your subject crisp while letting the background soften just enough to remain readable but not distracting. The camera's discreet size is an asset here, helping subjects remain at ease. Pay attention to how lines in the environment—a brick wall, a shelf, a window frame—guide the eye towards the person. The goal is a portrait that speaks of connection and context, achieved effortlessly by the Ricoh GR IIIx's innate optical character.
In the quiet moments, in a café or at home, the Ricoh GR IIIx transforms into a master of detail. The 40mm lens is perfectly suited for photographing still lifes—a coffee cup, a pair of spectacles on a book, the play of morning light across a table. Its minimum focusing distance allows for compelling close-ups that highlight texture and form. The key here is to use natural, raking light to create depth and shadow. Compose with simplicity, employing the rule of thirds to place your subject, and use the camera's superb image stabilisation to handhold in low light without a tripod. The renowned "Positive Film" or "High-Contrast B&W" image profiles in-camera can render these scenes with a timeless, film-like atmosphere straight out of the camera, making the process of capturing everyday objects feel like an artistic pursuit.
The streets of any city are a tapestry of shapes, lines, and fleeting moments. The Ricoh GR IIIx, with its 40mm lens, is an exceptional tool for capturing this urban geometry. It is wide enough to capture architectural façades or a narrow alleyway, yet tight enough to isolate interesting details: a patterned door, a textured wall, the interplay of shadow on stone. For architectural details, look for repetition, contrast, and leading lines. Frame deliberately to create strong, graphic compositions. The lens's exceptional sharpness ensures every brick and mortar line is rendered with clarity. For candid street moments, the camera's swift autofocus and silent shutter allow you to capture scenes unobtrusively. The 40mm view forces you to be selective, to find the concise story within the urban bustle, resulting in photographs that are structured and evocative rather than merely documentary.
Shooting in interiors—whether a curated shop, a museum gallery, or a comfortable living room—can challenge wider lenses with distortion or cluttered edges. The 40mm lens in the Ricoh GR IIIx provides a cohesive solution. It offers a field of view that feels natural and inclusive without exaggerating the space. To capture a room effectively, pay attention to corners and vertical lines, ensuring they remain straight to convey a sense of order. Use available light sources, like windows or lamps, to create pools of light that guide the viewer through the image. The camera's dynamic range handles challenging light contrasts well, preserving detail in both highlights and shadows. This makes the Ricoh GR IIIx an ideal companion for capturing the mood and design of interior spaces with authenticity and a calm, composed aesthetic.
The magic of the Ricoh GR IIIx is, of course, not solely in its lens. This optical genius is housed in a body that exemplifies minimalist engineering. The large APS-C sensor delivers image quality rivalling bulkier cameras, with rich colours, fine detail, and excellent performance in varied lighting. Its pocketable form factor means it is always at hand, ready to capture a moment without drawing attention. The intuitive controls and deeply customisable interface allow the camera to become a seamless extension of the photographer's mind, ensuring that the technical process never intrudes on the creative one. It is a complete system designed for the photographer who values substance over show, quality over quantity, and a distinct, honest way of seeing.
The Ricoh GR IIIx is more than a piece of technology; it is an invitation to a different kind of photography. It asks the photographer to slow down, to observe more carefully, and to compose with intention. Its 40mm lens is the heart of this philosophy, offering a balanced, truthful, and deeply engaging perspective on the world. It is not the easiest or most obvious path—it requires engagement and thought. But for those who accept the invitation, it offers a profoundly rewarding way to document life, detail, and beauty, producing work that feels both personal and universally resonant. In the end, the Ricoh GR IIIx doesn't just take pictures; it helps you find your own unique frame within the world.